WILD WORLD 
OF RELIGION Field Guide to the

This overview of the controversy surrounding the Mormon Book of Abraham is part of the major Field Guide profile Mormonism: The Church of Jesus Christ of Latter-day Saints.

 

The Book of Abraham is a small document of five chapters, the longest only 31 "verses." It is included in The Pearl of Great Price, a small volume of material designated as part of the official "scripture" of the LDS Church. It is accepted by devout Mormons as being the actual words of the Patriarch Abraham, inspired by God, and "written by his own hand upon papyrus." It is accepted by Mormons that it was translated by a miraculous, divine "gift of translation" by Mormon founder Joseph Smith during the period 1835-1842. Although a very small document, it is considered critical to the doctrinal base of the LDS Church, as there are a number of controversial teachings of the Church found only in it among all Mormon scripture.

For the past four decades the Book of Abraham has been at the center of a storm of controversy swirling around the LDS Church because of tangible and credible evidence that it is not what Joseph Smith purported it to be at all.

 

Early History of the Book of Abraham

The Book of Mormon was first published in 1830. Joseph Smith claimed to have "translated" that book from inscriptions on "golden plates" that he had been led to by an "angel." By 1835 Smith had gathered a significant number of followers who accepted the Book of Mormon as a new revelation from God, and Joseph Smith as an inspired prophet. But their convictions had to be based almost entirely on blind faith in the testimony of Smith and a handful of other men who claimed to have seen the golden plates. Smith explained he had returned the golden plates to the angel upon completion of the work of translation. There was thus no way for supporters or critics to examine the plates and evaluate Smith's claims on any practical basis.

But in 1835 both supporters and critics were given an opportunity to examine Smith's claims to the miraculous gift of being able to translate a language he had never learned. In July of that year, a traveling exhibit of Egyptian mummies stopped in Kirtland, Ohio, center of Mormon activity at the time. Included in the exhibit were some Egyptian papyrus rolls, covered with Egyptian writings and illustrations. At that point in history, no one was able to translate hieroglyphics or other related Egyptian writing. The "Rosetta Stone," a large stone tablet that contained the same material written in parallel columns of Greek and Egyptian “Demotic” and hieroglyphic characters, had been discovered in 1799. And thus scholars had begun the laborious process of deciphering the Egyptian system of writing. But by the time Smith first saw the papryi in Kirtland in 1835, very limited progress had been made.

Enthusiastic Mormons informed Michael H. Chandler, the owner of the mummies and papyri, that their leader, Joseph Smith, had a remarkable ability to translate ancient languages. Chandler provided Smith with some of the documents, and was suitably impressed by Smith's claims for what some of the ancient characters signified. Shortly, the Mormons decided to purchase the whole collection from Chandler. Thus Smith was able to examine them more closely. And he announced, to the amazement of his followers, that one of the documents had been written by the Biblical Patriarch Joseph and the other by the Patriarch Abraham.

Smith spent portions of the rest of 1835 allegedly "translating" the document which he identified as being the actual journal of Abraham himself, "written by his own hand upon papyrus." He claimed to those who were helping him in the project (Smith customarily dictated his material to others who acted as "scribes" for him) that this was the very document that Moses had used in compiling the material for the Book of Genesis in the Bible. Since this Book of Abraham (as it came to be called) contained many more details than are included in Genesis, Smith implied that either Moses had deliberately chosen to abridge what he included--or that some unscrupulous or careless scribes had removed the material before it came down to us in the King James Version of the Bible.

Mormon critics were later to note that the "extra" information found in the Book of Abraham but not in the Bible gave support to a number of controversial teachings that Smith had lately been attempting to enforce upon the LDS believers.

Smith finished about 40% of the content which is now in the Book of Abraham by the end of 1835. At the same time, he began work on a document which he called an "Egyptian Alphabet and Grammar." In this, he shared detailed insight into what he declared to be the finer points of understanding Egyptian writing.

He apparently did not work on the papyri again until 1842. Beginning in March, 1842, the Mormon publication Times and Seasons began publishing regular bi-weekly installments of the text of the Book of Abraham, including woodcuts of three "Facsimiles" of the most significant illustrations in the collection of material that had been with the mummies.

From that point until his death in 1844, Smith used the Book of Abraham material in sermons, lectures, and other writings. In 1851 it was printed in pamphlet form in England as part of a small collection of Smith's writings entitled The Pearl of Great Price. In 1878, the US Mormons republished it again in similar form. And in 1880, the Book of Abraham, by unanimous vote of LDS authorities, was "canonized" as official scripture of the LDS Church.

However, the papyrus that Joseph Smith used in the creation of the Book of Abraham was no longer in the hands of the LDS leadership. After Smith's death in 1844, the papyrus became the property of his first wife, Emma. In the dispute over who was to inherit the role of Prophet in the LDS Church, Emma Smith refused to recognize the leadership of Brigham Young. Thus when the Mormons headed west to Utah under Young's leadership, they went without Emma, and without the papyrus. Emma's son Joseph Smith III later became the first Prophet of the Reformed Church of Jesus Christ of Latter Day Saints (RLDS). And at some point, the mummies and papyri were sold. Historical records of the time show that eventually at least a portion of the collection made its  way to a museum in Chicago.

When the museum burned down in the great Chicago Fire of 1871, it was assumed by all that the papyri had been burnt up with it.

 

Lingering evidence

With the papyrus gone, the only evidences of what was on the original were the three wood-cut printings of the Facsimiles.

Copies of the Book of Abraham from 1835 to today have included Facsimile 1 as shown here, including the detailed description below it by Smith of what he believed to be portrayed in the illustration:

 

Fig. 1. The Angel of the Lord.
Fig. 2. Abraham fastened upon an altar.
Fig. 3. The idolatrous priest of Elkenah attempting to offer up Abraham as a sacrifice.
Fig. 4. The altar for sacrifice by the idolatrous priests, standing before the gods of Elkenah, Libnah, Mahmackrah, Korash, and Pharaoh.
Fig. 5. The idolatrous god of Elkenah.
Fig. 6. The idolatrous god of Libnah.
Fig. 7. The idolatrous god of Mahmackrah.
Fig. 8. The idolatrous god of Korash.
Fig. 9. The idolatrous god of Pharaoh.
Fig. 10. Abraham in Egypt.
Fig. 11. Designed to represent the pillars of heaven, as understood by the Egyptians.
Fig. 12. Raukeeyang, signifying expanse, or the firmament over our heads; but in this case, in relation to this subject, the Egyptians meant it to signify Shaumau, to be high, or the heavens, answering to the Hebrew word, Shaumahyeem.

 

The Book of Abraham includes Facsimile 2 as shown here, complete with the description and explanation that Smith gave to its contents.

Fig. 1. Kolob, signifying the first creation, nearest to the celestial, or the residence of God. First in government, the last pertaining to the measurement of time. The measurement according to celestial time, which celestial time signifies one day to a cubit. One day in Kolob is equal to a thousand years according to the measurement of this earth, which is called by the Egyptians Jah-oh-eh.
Fig. 2. Stands next to Kolob, called by the Egyptians Oliblish, which is the next grand governing creation near to the celestial or the place where God resides; holding the key of power also, pertaining to other planets; as revealed from God to Abraham, as he offered sacrifice upon an altar, which he had built unto the Lord.
Fig. 3. Is made to represent God, sitting upon his throne, clothed with power and authority; with a crown of eternal light upon his head; representing also the grand Key-words of the Holy Priesthood, as revealed to Adam in the Garden of Eden, as also to Seth, Noah, Melchizedek, Abraham, and all to whom the Priesthood was revealed.
Fig. 4. Answers to the Hebrew word Raukeeyang, signifying expanse, or the firmament of the heavens; also a numerical figure, in Egyptian signifying one thousand; answering to the measuring of the time of Oliblish, which is equal with Kolob in its revolution and in its measuring of time.

Fig. 5. Is called in Egyptian Enish-go-on-dosh; this is one of the governing planets also, and is said by the Egyptians to be the Sun, and to borrow its light from Kolob through the medium of Kae-e-vanrash, which is the grand Key, or, in other words, the governing power, which governs fifteen other fixed planets or stars, as also Floeese or the Moon, the Earth and the Sun in their annual revolutions. This planet receives its power through the medium of Kli-flos-is-es, or Hah-ko-kau-beam, the stars represented by numbers 22 and 23, receiving light from the revolutions of Kolob.
Fig. 6. Represents this earth in its four quarters.
Fig. 7. Represents God sitting upon his throne, revealing through the heavens the grand Key-words of the Priesthood; as, also, the sign of the Holy Ghost unto Abraham, in the form of a dove.
Fig. 8. Contains writings that cannot be revealed unto the world; but is to be had in the Holy Temple of God.
Fig. 9. Ought not to be revealed at the present time.
Fig. 10. Also.
Fig. 11. Also. If the world can find out these numbers, so let it be. Amen.
Figures 12, 13, 14, 15, 16, 17, 18, 19, 20, and 21 will be given in the own due time of the Lo
rd

 

The Book of Abraham contains Facsimile 3 as shown here, including the descriptive material provided by Joseph Smith:

 

Fig. 1. Abraham sitting upon Pharaoh’s throne, by the politeness of the king, with a crown upon his head, representing the Priesthood, as emblematical of the grand Presidency in Heaven; with the scepter of justice and judgment in his hand.
Fig. 2. King Pharaoh, whose name is given in the characters above his head.
Fig. 3. Signifies Abraham in Egypt as given also in Figure 10 of Facsimile No. 1.
Fig. 4. Prince of Pharaoh, King of Egypt, as written above the hand.
Fig. 5. Shulem, one of the king’s principal waiters, as represented by the characters above his hand.
Fig. 6. Olimlah, a slave belonging to the prince.

Abraham is reasoning upon the principles of Astronomy, in the king’s court.

 

Even the most avid Mormon apologists in modern times have had a difficult time dealing with the obvious fact that figures 2 and 4 above are female figures, yet labeled by Smith as Pharoah and his son!

Smith's claims for this illustration were challenged as early as 1856:

Excerpt from Larson, By His Own Hand Upon Papyrus, p. 25

It was sometime during the year 1856, about five years after the Pearl of Great Price had been printed in England, when one of the small pamphlets found its way to the Louvre in Paris. There the facsimiles from the Book of Abraham, together with Joseph's accompanying explanations, were brought to the attention of M. Theodule Deveria. As one of the pioneers in the field of Egyptology, Deveria was asked to offer any comments on them he cared to make.

To Deveria the project probably did not seem worth the minimal effort it would require. However, he proceeded, and immediately recognized all three drawings as copies of rather common Egyptian funerary documents, of which he had examined hundreds. To be sure, most of the hieroglyphic and hieratic figures had been too poorly transcribed to be of much use for translation, and some elements in several of the drawings appeared to Deveria to be guesswork, probably incorrect restorations of missing sections of the original papyri. Still, most of the major elements fit very well into the established pattern associated with Egyptian mythology and the preparation of common funerary documents. Enough of the writing was legible for Deveria to decipher the names and titles of various Egyptian gods and goddesses, and on one of the drawings (Facsimile No. 3) he was able to determine the name of the deceased Egyptian for whom the scroll had originally been prepared. Concerning Facsimile No. 3 he wrote:

The deceased led by Ma into the presence of Osiris. His name is Horus, as may be seen in the prayer which is at the bottom of the picture, and which is addressed to the divinities of the four cardinal points.

Deveria dismissed Joseph's explanations as rambling nonsense. His comments first appeared in French in a two-volume work by Jules Remy entitled Voyage au Pays des Mormons (Paris, 1860).

 

More caustic comments were made about Smith's interpretations of the pictures in the Facsimiles in 1912:

From: Larson, p. 27-28

At least that was how the Rt. Reverend Franklin S. Spalding, Episcopal Bishop of Utah, saw the situation in 1912. It was in that year that he decided to send copies of the three facsimiles from the Book of Abraham to some of the world's leading scholars of Egyptology, asking each for an independent assessment of Joseph Smith's interpretations.

The eight Egyptologists and Semitists who responded were unanimous in their scathing verdict: "Joseph Smith's interpretation of these cuts is a farrago of nonsense from beginning to end," came the report from the Metropolitan Museum of Art in New York, which added that "five minutes study in an Egyptian gallery of any museum should be enough to convince any educated man of the clumsiness of the imposture;" ". . . difficult to deal seriously with Smith's impudent fraud," wrote another from Oxford, England. "Smith has turned the Goddess into a king and Osiris into Abraham." From Chicago, ". . . very clearly demonstrates that he (Joseph Smith) was totally unacquainted with the significance of these documents and absolutely ignorant of the simplest facts of Egyptian Writing and civilization." And from London, ". . . the attempts to guess a meaning are too absurd to be noticed. It may be safely said that there is not one single word that is true in these explanations."

On and on the critiques went, giving the most comprehensive portrayal ever assembled of exactly what Joseph's papyri actually were: common Egyptian funerary texts.

 

And then came the challenge from Mormons, expressed by one Mormon writer:

In 1913, Mormon writer John Henry Evans pointed out in an article in the Church-sanctioned Improvement Era, that less than one-seventh of the whole Book of Abraham was represented by the facsimile portion, and even that only as an accompaniment to the text. Evans argued that in order to give a fair test of Joseph's true ability to translate Egyptian, and before the scholars could get away with charging that the entire Book of Abraham was a false translation, "they would have to examine the original papyrus, or a copy of it, from which the Book of Abraham was translated." (Larson, p. 28)

Evans' challenge, which he no doubt believed an impossibility at the time, was to come back to haunt the LDS Church.

 

Rising from the ashes

In 1966, a University of Utah researcher at the Metropolitan Museum of Art in New York made a startling find in the archives of the museum. While looking at a collection of some fragments of Egyptian papyrus rolls, he recognized one of the illustrations on one of the fragments as nearly identical to the "Facsimile 1" wood-cut that appears in the Mormon Book of Abraham. Further investigation proved what he suspected--these were some of the original papyrus fragments that were purchased by the LDS in 1835. The person who had originally purchased the collection from Joseph Smith’s heirs had indeed sold some of it, which ended up in the museum in Chicago. But he had kept some of the papyri fragments, which were mounted on a sturdy surface, and those eventually made their way to the MMA in 1947.

 In 1967, the Museum presented the papyri as a gift to the LDS Church. It was time for Evans' challenge to be taken up by Mormon critics.

The Church itself did some of the investigative work in comparing the results of modern studies in Egyptology applied to the papyri to the claims Joseph Smith had made for his work on the Book of Abraham. But when it became obvious that the results were going to be painfully uncomfortable for the Church, work became very slow. Outside researchers eventually obtained adequate copies of the material and began publishing their own results.

The bottom line of the investigations by all: One of the sections of papyrus was clearly part of the exact Egyptian writing from which Smith had claimed he "translated" the Book of Abraham! There were still handwritten copies of the original translation work available which showed the individual Egyptian figures down the left margin of a page, with the English translation right next to it. The handwriting on these copies was by Smith's regular scribes who helped him in his work. These Egyptian figures are clearly seen in a section of one of the recovered papyrus fragments, all in exactly the same order that they appear on the handwritten "translation" pages.

But scholar after scholar both inside and outside the LDS Church declared that there was absolutely no connection between the text of the Book of Abraham and the actual content of the Egyptian documents. The fragments of papyrus were clearly identified by one and all as examples of completely ordinary "funerary" documents of ancient Egypt. The section used by Smith was from a document called the Book of Breathings. It contained the specific name of the deceased individual it had been prepared for, and would have accompanied that person in their burial setting to provide them guidance in the after life, as it included "spells" which the deceased could use in the afterlife to learn to "breathe" again. Other papyrus fragments from the collection were from the Egyptian Book of the Dead, an earlier collection of writings with a similar purpose. The Book of Breathings was an abbreviated version of the Book of the Dead, used in the later eras of Egyptian history. In fact, the papyrus used by Smith from which to derive the Book of Abraham has been dated by scholars to the first century AD--almost 2000 years after the time of Abraham.

When the recovered papyrus was discovered in 1966, something else was discovered--the original that Smith had used had pieces missing, including portions of the picture in Facsimile 1. Smith had obviously commissioned an artist to "fill in" the missing details according to Smith's speculation of what would have been in the missing sections. Below is a photo of the actual scroll fragments. It can be clearly seen what portions were "reconstructed" for publication in Mormon writings. The papyrus had obviously been glued to a heavy paper backing at the time it was in Smith's possession (the back side of the backing paper had a map of the Kirtland, Ohio area, and architectural drawings for a temple), and crude sketching is obvious in the missing areas of the illustration.

 

 

 

 

 

 

 

 

The study of Egyptian funerary art has progressed extensively during the intervening century, and it is painfully obvious to modern Egyptian scholars that Smith's speculations missed the mark. Below is a modern reconstruction of what the missing pieces likely contained, based on contents of similar funeral documents.

 

And instead of this being a portrayal of an attempt by an idolatrous priest to sacrifice Abraham, contemporary Egyptian scholars identify it as a mythical stylized funerary scene portraying the embalming and expected resurrection of Osiris, god of the underworld. The human-headed bird on the right would portray the soul of Osiris getting ready to return to his body. The bird hovering over the center of the body is a falcon representing Osiris's wife Isis, "in anticipation of the procreative act which will make Isis pregnant with their son Horus." (Larson, p. 102) The jars with heads below the couch are "canopic jars" which would hold the internal organs of the deceased. The heads represent the four sons of Horus: Amset, Hapi, Duamutef, and Qebehsenuef. In Egyptian funerary documents, Osiris represents the person for whom the documents were prepared.

A number of modern Egyptologists have translated the writings connected to this picture, and their conclusions are all in close agreement. They merely convey information about the deceased for whom the Book of Breathings document was created.

 

Facsimile 2 Revisited

From: Larson, p. 104-5,108

Joseph Smith identified the drawing shown on page 103 (Facsimile No. 2) as "Facsimile from the Book of Abraham," and offered with it the elaborate "inspired explanation" shown. It is actually a rather common funerary amulet termed a hypocephalus, so-called because it was placed under (hypo) a mummy's head (cephalus). Its purpose was to magically keep the deceased warm and to protect the body from desecration by grave robbers. According to Dr. Nibley, as of 1968 there were "about a hundred" such hypocephali known, a good many of which can be traced to the sun-worship cults centered around Heliopolis during the seventh century B.C. and later.

Egyptologists recognize Facsimile No. 2 as simply a hypocephalus, but there are also problems with that identification. As with the drawing of Facsimile No. 1, the restored parts of the Mormon hypocephalus do not correspond to genuine ancient Egyptian hypocephali.3 Also, just as with Facsimile No. 1, an incorrect restoration (by Smith) of a damaged original was suspected as the explanation for the differences.

While no photograph of the original papyrus from which Facsimile No. 2 was taken is presently available, it is still possible to determine whether Joseph's hypocephalus was damaged at the time it came into his possession. This is so because when the collection of Smith's Egyptian Alphabet and Grammar papers was first published in 1966, one page was found to contain a fairly good pen and ink drawing of the Facsimile No. 2 hypocephalus. However, there was one important distinction, for this drawing showed a damaged, incomplete hypocephalus, with much of the right edge left blank, including a wedge-shaped empty space on the upper right that extended to the object's center. Just as with Facsimile No. 1, those portions of Facsimile No. 2 which had long been questioned as being "wrong" or "suspicious" were found to match the areas of this sketch where the original papyrus was either damaged or missing.

Some of these differences may seem minor to the inexperienced, but they are very noticeable to an expert. References to numbered "Figures" (i.e., Figure 1, Figure 2, etc.) correspond to the reproduction of Facsimile No. 2 found in the Pearl of Great Price. Joseph Smith numbered each section or figure to serve as a guide for his explanation (see caption of Facsimile No. 2 on p. 103).

The round faced creature in (upside-down) Figure 7 lacked a definable body, for instance, so the stylized body of a bird was innocently provided (it should have been an ithyphallic serpent with legs). The central seated figure (Figure 1) ordinarily has four rams heads, but perhaps only enough of the damaged papyrus flakes remained here to show Joseph that more than one head belonged, so it must have seemed logical for him to simply copy the profile of the two-headed Egyptian god Par (Figure 2) directly above it. Possibly a trace of a boat showed in the space where Figure 3 is. Two boats -- a small one above a larger one -- belong here; but not knowing this, Joseph copied the boat figure found at the bottom of Papyrus Joseph Smith IV (see comparison on p. 105). This, however, is a drawing of the sun-god in his solar bark, and is improper for a hypocephalus.

The most dramatic error found on Facsimile No. 2 though, is the restoration of the missing writing. While never offering an actual translation in his ''explanation,'' Smith nevertheless implies that this writing contains great and mysterious secrets pertaining to God and the Temple (see caption of Facsimile No. 2, Figs. 8-10;12-21, on p. 103). We now know the restored writing to be a mixture of two unrelated texts from different works written hundreds of years apart. The restored text includes different styles of handwriting, one being hieroglyphic, and the other hieratic, and some characters are even placed upside down in relation to one another! In all cases figures from the right column of Papyrus Joseph Smith XI (the ''Small Sensen'' text) were used indiscriminately to fill in the missing area.

 

Facsimile 3 Revisited

Although the recovered papyri from the Metropolitan Museum did not contain the original of the illustration published in the Book of Abraham as Facsimile 3, modern Egyptologists have added their agreement to the earlier criticisms of the 1800s.

From: Larson, p. 108

Variations of the scene shown on page 109 (Facsimile No. 3) are probably the single most common form of Egyptian funerary scene known -- the deceased being led into the presence of the Court of Osiris, god of the underworld. Eventually the major elements became standardized into chapter 125 of the Book of the Dead, and the particular version in the Joseph Smith papyri is from a later, simplified text. The deceased, wearing the traditional perfumed cone and lotus flower on his head, is led by Maat, goddess of justice (identified by the plume within the orb on her head) into the presence of Osiris. He is supported from behind by Anubis, guide of the dead, who has helped him complete his journey (and assisted him in the use of the spells that were contained in his funeral book). Osiris wears his double-plumed crown, holds the royal flail and crook across his chest, and sits before the ever present libation platform that is common in nearly all drawings containing major god-figures. It is topped by the customary stylized papyrus blossom. Behind him stands his wife Isis, identified by her solar disc and cow horn. The object in her hand is probably an ankh, symbol of life and resurrection.

 

Thus the individual Smith identified as the Patriarch Abraham … "reasoning upon astronomy in Pharoah's court" … is actually the pagan Egyptian god Osiris. And the individuals that Joseph Smith identified as Pharoah and his son were actually the goddess Isis, wife of Osiris, and the Egyptian goddess Maat.

 

Revisiting the Alphabet and Grammar

From: Larson, pp. 32-33

Smith's ''Egyptian Alphabet and Grammar,'' as it has come to be called, had never really been lost or missing. For a long time it was simply ignored, and more recently it had been considered restricted. It was among that portion of early Church records the Mormons managed to take with them when they left Nauvoo in 1846, and it was included in the list of materials recorded in the Church Historian's Office Journal as having been deposited in the Historian's fireproof vault in Salt Lake City in 1855. There the manuscript lay, apparently all but forgotten for eighty years, before being "rediscovered" in 1935 during the course of some historical research by Dr. Sidney B. Sperry of Brigham Young University, James R. Clark, a student of Sperry's, and A. William Lund, Assistant Church Historian at the time.2

These documents were not released for public examination or study, however. For the time being their discovery was not even announced.3 It was not until 1938 that Dr. Sperry was allowed to publish a pair of rather indistinct photographs of two pages from the Alphabet and Grammar notebook which contained part of a translation manuscript from the Book of Abraham. The existence of the entire Grammar was still only hinted at for many years, and only a select handful of scholars and authorities within the LDS Church were allowed access to the material.4 This, despite the great historical significance attached to it by LDS writers like William Berrett, who proudly described it as Joseph Smith's "most notable achievement . . . the development of a Grammar for the Egyptian hieroglyphic form of writing," and "the first Egyptian Grammar in America."

Curiously, even as late as 1960 (by which time it had been known for some twenty-five years that the "Alphabet and Grammar" had survived and was in the Church's possession) Dr. Sperry remarked at BYU's Pearl of Great Price Conference that he did not know whether or not the Church authorities would yet allow it to be published, adding that he thought "it would be a little premature, perhaps, to do it now, until we can really do a good job of it."6

Others who had occasion to come into contact with the material apparently disagreed with the Church's reluctance in the matter. Late in 1965 a microfilm copy of the entire work was "leaked" to Jerald and Sandra Tanner of Modern Microfilm Company (now Utah Lighthouse Ministry). The Tanners were former Mormons who were rapidly gaining a reputation for printing documents relating to Mormonism that, though authentic, made Church officials uncomfortable. By 1966 the Tanners had produced the first complete photomechanical reprint and transcription of the entire Egyptian Alphabet and Grammar.

But contrary to what most Mormons evidently expected, publication of the Alphabet and Grammar in no way substantiated Joseph Smith's ability to translate ancient Egyptian. Quite the opposite, for the book turned out to be nothing but page after page of nonsensical gibberish. Though it had apparently succeeded at one time in impressing unsophisticated minds, the work was unable to withstand the scrutiny of experts.

Professional Egyptologists to whom the Alphabet and Grammar was submitted for examination were quick to point out that the material in Joseph Smith's notebook bore no resemblance at all to any correct understanding of the ancient Egyptian language. As one of them, I. E. Edwards, put it, the whole work was, "largely a piece of imagination and lacking in any kind of scientific value." He added that it reminded him of "the writings of psychic practitioners which are sometimes sent to me." There were many similar verdicts, all confirming that the person responsible for what Berrett had glowingly called "the first Egyptian grammar in America" could not possibly have understood the ancient Egyptian language.

 

 

 

 

 

Evaluation

It is understandable that people with their whole lives invested in involvement with the LDS Church … perhaps even going back many generations in their family … would desperately attempt to find "excuses" for Joseph Smith in this matter of the Book of Abraham. After all, the issues at stake are at the very foundation of the organization. If Joseph Smith was actually utterly unable to translate Egyptian, and thus the Book of Abraham is just the product of his own imagination, then there is no reason to believe any of his other claims of authority as a Prophet, and the Restorer of Christianity after 1800 years of apostasy. This is no doubt a totally unacceptable outcome for those whose whole identity has been as Mormons for perhaps their entire life. And thus, indeed, the leadership of the organization has made numerous attempts to "explain away" the obvious conclusion of this whole matter, from the time the papyri were found at the Metropolitan Museum of Art to today. For that obvious conclusion, based on all of the facts at hand, is that the Book of Abraham is a total hoax.

While it is understandable for Mormons themselves to be willing to deceive themselves about this reality in order to maintain their "faith" in their founding Prophet, and thus not have to disrupt their lives, there is no reason at all for others to buy into such delusions.

And thus it is important for anyone even vaguely considering "buying into" the claims of Mormonism … perhaps as a result of visits from Mormon missionaries to their home … to clearly understand the facts of the controversy surrounding the Book of Abraham. If this brief overview has raised questions in the minds of any readers, they are urged to consult the references in the documentation section below for as much information as they could possibly need to come to their own conclusion on this matter.

 

 

 

 

 

 

Web Documentation

The most comprehensive documentation, commentary, and examination available of the controversy surrounding the Book of Abraham is likely that available in the following book:

By His Own Hand Upon Papyrus: A New Look at the Joseph Smith Papyri

Larson, Charles M., Institute for Religious Research, Gr. Rapids, MI, 1985, revised 1992

The complete text of this book is now available on the Internet for free download at:

http://www.irr.org/mit/bhoh-pt1.html

 

The brief overview of the circumstances surrounding the controversy about  the Book of Abraham  on this Field Guide website contains information compiled from Larson's book, and from a variety of other books and websites listed in the Bibliography at the end of the main profile on Mormonism on the Field Guide website.

 

Here is a link to an article written by Jerald and Sandra Tanner, authors of The Changing World of Mormonism, recommending Larson's book and examining some of the LDS Church's attempts to deal with his charges.

 

A good short summary and documentation of the most significant aspects of the controversy is provided in an article titled "The Book of Abraham Revisited" by H. Michael Marquardt, 1997, available on the Internet.

 

Unless otherwise noted, all original material on this Field Guide website
is © 2001-2011 by Pamela Starr Dewey.

Careful effort has been made to give credit as clearly as possible to any specific material quoted or ideas extensively adapted from any one resource. Corrections and clarifications regarding citations for any source material are welcome, and will be promptly added to any sections which are found to be inadequately documented as to source.

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Book of Abraham papyrus--

Mormon Prophet Joseph Smith on Trial